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Eliot Prize\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eWinner of the Governor General's Literary Award for Poetry\u003c\/b\u003e\u003cbr\u003e\u003cb\u003eAn\u003ci\u003e Observer, Telegraph, TLS, Guardian, Scotsman, New Statesman, \u003c\/i\u003e\u003ci\u003eFinancial Times\u003c\/i\u003e and \u003ci\u003eIrish Times \u003c\/i\u003eBook of the Year\u003cbr\u003eShortlisted for the PEN Heaney Prize\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003eWellwater\u003c\/i\u003e demonstrates a poet writing at the height of her powers. In poems that are supple, philosophical, bracingly honest and ribbed with erudition, \u003ci\u003eWellwater \u003c\/i\u003econducts a self-interrogative conversation with a culture in crisis and a natural world on the brink. Thresholds abound, 'doors between dimensions' where past selves or lost loved ones speak to us again: 'death is not Saskatchewan' shrugs one encountered soul, 'we don't all know each other in this place'.\u003cbr\u003e\u003cbr\u003eSolie excels as a laureate of the transitory, of 'baffling flats . . . tiny museums of illegalities', motel rooms exuding a 'low hum of menace'. Her roving, syntactically elegant poems will often resolve in disarming directness, a precise admission of the emotional stakes. Karen Solie is increasingly recognised as one of the essential voices in world poetry. \u003ci\u003eWellwater\u003c\/i\u003e will delight those already in the know, while new readers of her work will be astonished.\u003cbr\u003e\u003cbr\u003e\u003cb\u003e'Solie is an essential writer . . . anyone remotely interested in 21st-century literature, or 21st-century life, should read her' - Tristram Fane Saunders, \u003ci\u003eTelegraph\u003c\/i\u003e\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e'Powerful, philosophical, intelligent . . . 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